Made on a modest budget, but with an immodest cinematographic eye. Fiction and fact are mixed as in a dream. A dream about trains and the sinister affairs that surround them. The young filmmaker only needed one take for each scene. A sharp eye. A steady hand. Ever since the first use of the film camera by the French Lumière Brothers, the train has been a favourite subject - as ...
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熊仔俠 2016-04-18
比導演後來的《等待曙光》差得多。