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All the shots of the slapstick comedy “A Film Johnnie” (USA, 1914) are shown simultaneously in a symmetrical grid, one after the other. Each scene, from one cut to the next, from the first to the last frame, is looped. A pulsing visual polyrhythm is produced as a result, because of the shots’ varying lengths. The total length of the mosaic film corresponds precisely to that of ...
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