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The short film is like a journal **** of film ******. On ****** a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for ****** a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of ****** films (Hanoun's own, Bo...
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