And it is how exactly she puts communication at stake--how she foregrounds the neoliberal imperative to communicate, which has encroached upon postunified Germany, and, thus, how we are affected by the role communication plays in her film--that renders her work political, as a counter-cinema, insofar as it renders affectively sensible how "speech and communication have been corrupted," as Deleuze argues. //Abel M. The Counter-Cinema of the Berlin School[M]. Boydell & Brewer, 2013:114.
YiQiao 2022-03-15
And it is how exactly she puts communication at stake--how she foregrounds the neoliberal imperative to communicate, which has encroached upon postunified Germany, and, thus, how we are affected by the role communication plays in her film--that renders her work political, as a counter-cinema, insofar as it renders affectively sensible how "speech and communication have been corrupted," as Deleuze argues. //Abel M. The Counter-Cinema of the Berlin School[M]. Boydell & Brewer, 2013:114.
星际密探 2023-10-15
一开始没啥意思的 只是夏娜莱克的声音真的好好听噢
断了气儿 2023-09-05
3.5夏娜莱克毕业作品 看下来就是几组对话和人物关系 似是她扮演的作家笔中人物。结尾那段对话想到《**天***的出版商。已可以窥见导演的一种视角和结构。还是一起去划船好。
谁砍倒了樱桃树 2023-01-12
影像还是很干净很整洁,甚至由于景别更近回想起看《****》的感觉。文本还是有点没看懂,感觉有很多奇怪的分岔,但是钻不进去/看了点评论还有回忆了下,感觉就是个你看他又看你的结构,创作自省上的讨论大于实际探讨关系的内容。