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Producer Samuel Goldwyn’s lavish though compromised adaptation of Emile Zola’s novel Nana (1934) is best remembered today as the infamous Hollywood debut of Russian-born starlet Anna Sten. The film is the story of a mercenary streetwalker turned stage singer whose calculating social rise is undone when she falls in love. Sten was to be Goldwyn’s answer to Greta Garbo at MGM and...
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Strategic_Scien 2024-05-29
35mm@ Filmmuseum. 除了Stagecoach这样的足够本土化的改编,好莱坞就不该乱拍欧洲的文学名著,看着**尬。女性角色之间的互动和恐婚还是有些Arzner一贯的风格,但是影片最突出的风格还是体现在Gregg Toland
PNMJ 2024-02-23
感觉是剧作的问题,毕竟是改编所以没那么Arzner但其实Nana这个角色本身还挺像她会拍的那种姐的。If anything 就是男女主演技都有够差的,但是我学到了新的很合适的词so instead of saying烂,这是演的histrionic。然后就是姐美的我心梗了简直,Mae Clarke神情好灵好像那个很美的Aline Masson肖像画